"It's really a play about a relationship, and it is a horror story." ~Sarah Parker
There are two sets of one-acts in the festival; you'll be able to see Sarah perform in Set A. More info about attending and tickets available through Gadfly Theatre Productions.
Meet Adam. Dr. Frankenstein's first creation. More commonly known as The Monster or maybe The Creature. Many of us have...
Posted by Gadfly Theatre Productions on Thursday, June 25, 2015
Why were you drawn to be a part of the Final Frontier Festival?
SP: I've worked with Gadfly before, and I like that they approach playmaking with their audience in mind. They're specifically and deliberately showcasing stories that are underrepresented in media at large, so that's why I auditioned. Once I got the script [to "Belong Dead"] I was just amazed at how well the Frankenstein story lends itself to a conversation about abusive, codependent relationships, and as an actor that dynamic is really interesting to explore. What do you think will be the most surprising for audience members who attend "Belong Dead?" SP: I think they'll be surprised at how the show changes their opinions of these characters, who are already staples in pop culture. There are a lot of iterations and reimaginings of Frankenstein's monster in movies and literature, but really only one quintessential image of The Bride, and she never appears except in relation to him, as an accessory. I was surprised to realize that I had never seen her as depicted with any thoughts or opinions of her own. In this show, she expresses herself as an individual, and that's actually a completely new way to see her. |
SP: Maybe not small children or people who are triggered by representations of physical violence or domestic violence. Other than that, I think most people should go! "Belong Dead" is a huge conversation starter, and given Gadfly's track record with choosing socially relevant scripts, I think the other pieces will be too. The creepy modernization of "Frankenstein" will be appealing to anyone who likes sci-fi, video games, or anything with a superhero/supernatural bent, so I think it reaches pretty far beyond a traditional theatre audience. The message of the show will definitely appeal to feminists, but I also think it has appeal for groups who can sometimes misunderstand feminism, like some members of the gaming community and other subcultures of "geekdom."