Kendra Plant | ArtfullyEngaging - Blog: Artfully Engaging

Adventure to Phoenix for "Monsters, Not Monoliths" A DND Actual Play, Live!

Wed, 14 Jan 2026 04:48:03 GMT

Update: This blog post was edited on 1/20/26 to reflect the show date change from 1/23 to 3/6.
January twenty third there is a Minnesota state-wide mass strike: “no work (except for emergency services), no school, and no shopping."

Are you intrigued by tabletop gaming or it's biggest fan?

Wanna see a friendly, all-queer cast perform in an accessible, immersive play in Minneapolis?

Or want to get out and be a part of the community and support local artists at a one-night-only performance?!?

Then read the following artist interview with Cassandra Snow of Monsters, Not Monoliths: A DnD Actual Play, Live! produced by TitTeRPiGs Productions and then make your way to Phoenix Theater in Uptown on Friday, March 6th at 7:30 PM. Don't let price stand in your way, as pay-what-you-can options are available OR support the artists and pay the reasonable $25 ticket price for this unique theatrical experience.

See you in Uptown to be in community together. Stay safe and look out for each other.

Artfully,

Artist Interview: Cassandra Snow

Cassandra Snow is a theatre maker, author and tarot reader in Minneapolis, Minnesota. They've performed improv most recently at HUGE Improv, Strike Theater and Bryant Lake Bowl but are excited to be coming back Phoenix Theater in Uptown which feels like an artistic home to them.

You may know Cassandra from their tireless work as co-artistic director of Gadfly Theatre Productions or from their various admin or educational roles at Hennepin Arts, Mixed Blood and more.

Tell us about Monsters, Not Monoliths. What can audiences expect when they enter the theater?

Cassandra: I am so excited for this show - Manny and I spent 15 years producing theatre together as well as really fun "out there" events and this brings us back into that fold ! When the audience comes, they'll be walking into a heightened TTRPG play space. For the live show, the GM is really focused on telling a coherent and self-contained story that audiences and us players will love.

As co-producer, I'm bringing immersive ideas of how to make the show more fun beyond that.

"[The audience] will be be sucked into a long form improv where the dice AND THEIR contributions help us tell the story."

~Cassandra Snow, Minneapolis Theater Maker, Author and Tarot Reader

In addition to being a cast of seasoned actors and improvisers, audience will get some dice rolls in themselves. They'll get to shout and suggest things that will impact the story if they choose to. (When prompted, like in improv). They'll essentially be sucked into a long form improv where the dice AND THEIR contributions help us tell the story.

The story itself takes what anime calls Isekai (which is a story where characters are transported from our ordinary world to a magical one) and turns that idea on its head. In our story, monsters, magic and creatures we don't expect show up in our world.

They're amazed and horrified by it, bringing both comedy and a mirror to our lives. Each player/character will have to decide how to deal with this and what their role is. Add in audience ideas and dice rolls and it should be a whimsical and unpredictable time (if rooted in very real issues)!

This cast and creative team bring a strong sense of care and justice into the work. How do those values show up in the story and in the way you play together on stage?

Cassandra: One thing we really want to do with this show is highlight how different personalities and skillsets and values can still work together to find the best, most compassionate solutions possible. DnD is a perfect set-up for this exploration. Tabletop Gaming itself is doing this work on a microcosmic scale. Theatre itself is like this too. Its putting a bunch of people with similar but tweaked passions into a room and alchemizing that into something awesome.

This specific show format gives us a chance to play with that and "say something" while ALSO making the "work" of justice fun, personable and rooted in connection. I think we often scare people when talking activism or advocacy - this show will (hopefully) remind people that being who they are and forming real relationships with people of all ilk IS ALSO the work, and we have a hell of a lot more to gain by coming together but highlighting our own specialties than we do by savior mentality or anything like that.

Live actual play means the story can change in real time based on dice rolls and audience energy. What excites you most about that unpredictability as performers and storytellers?
Cassandra: Some of the people in this show are extremely seasoned improvisers who are VERY used to that energetic tradeoff. So for, say, Chris Rodriguez, that idea of interplay and HAVING to think fast on his feet is the whole draw of what we're doing. Its the adrenaline and the unpredictability they are seeking. For some of us its a chance to play on a larger scale - with audience, etc. and learn more about ourselves as storytellers, improvisers and character actors. I think we run the gamut- but what congeals us is a love of curating audience experience and also trying new stuff!

For audiences who love theater but may not have experience with tabletop games, what do you think will feel most familiar or surprising about watching a campaign unfold live?
Cassandra: I i think a lot of people don't understand how story-oriented a good TTRPG is! So much of the draw is essentially getting to play pretend with your friends for a few hours. There are, of course, game mechanics and there are, of course rules that you have to follow. Still, an actual play essentially watches like long form improv with a few very surprising twists and turns that even we have no way to account for. It's as silly as it is anything else, and yet in all the silliness sits love of the game, shared experience, and a raw, human heart. Its so much like any other art - don't let the idea that there are game mechanics scare you off!

This show welcomes longtime TTRPG fans as well as newcomers. What do you hope someone who has never played Dungeons and Dragons before takes away from the experience?
Cassandra: For those people, we have our very experienced GM not only guiding the story, but making sure the audience knows what's going on. The big takeaway for people interested but inexperienced in TTRPGs, we want it to look as accessible as it is or can be to get started and we ALSO want to showcase that really, games can be anything! It's not all the highest of fantasy but it can be! There aren't limits beyond the game mechanics existing, and once you start playing you realize that those things actually help you play better and relax into the game structure.

What didn’t I ask that you’d love to share with audiences before they come to see the show?
Cassandra: I'm just obsessed with this cast and want everyone else to be too so here's some basic bio stuff I want to share!

Ernie Hsu was the absolute star of the last show I produced. Ernie is so talented, so funny and so imaginative. By day you can catch them doing sex education work at Family Tree Clinic. When they aren't working they are diving into experimental, queer and funky work in a myriad of ways! Most recently they did a backyard staged reading of "Faggots and Their Friends Between Revolutions" by Larry Mitchell.

Chris Rodriguez is one of the 3 genius minds behind Very Good Improv, which opened in the face of Huge Theater closing to provide improv education, community and opportunity. You may have seen him at Strike Theater recently, or any number of other venues where he rocks the stage many nights a week. My personal recent favorite was working together on History Is Queer! As part of Queer & Funny Improv, but he's probably best known for being in the long-running Star Trek improv.

Mickaylee Shaughnessy is equal parts traditional actor and improviser, and one of the funniest people I've ever met. Audience may recognize her from Improvocation, scaring the poop out of you during Haunted Basement, or most recently from "Misfits and Mistletoe" at The Phoenix Theater.

Manny Elliott is my queerplatonic life partner and co-parent so this might sound biased but they are the best GM in the whole world. They do this professionally at Bad Wolf Studios, and are pumped to be bringing this passion and experience to the stage. We ran Gadfly Theatre Productions together happily for 16 years, until the pandemic taught us that free time is nice, actually, so we've stayed on hiatus to enjoy life. TiTteRPiGs is a much lower stakes venture, but with their game prowess and our combined producing experience, we're hoping to elevate the actual play experience and are specifically focusing on live shows with hopes to revamp our podcast when we have some pennies saved up for things like editing.

Ticket Info for Monsters, Not Monoliths: A DnD Actual Play, Live!

Date and Time:
Friday, March 6th at 2026 at 7:30 PM

Ticket Price:
$25 with Pay-What-You-Can options available

Location:
Phoenix Theater
2605 Hennepin Ave
Minneapolis, MN

Get Tickets

"Those Who Remain Turn the Pages" at Theatre in the Round: An Engaging Story Featuring Teen Artists

Sun, 02 Nov 2025 05:00:00 GMT

"Those Who Remain Turn the Pages" plays at Theatre in the Round in Minneapolis through November 9, 2025.

Hello, Twin Cities arts enthusiasts and creatives!

Theatre in the Round (TRP) is currently producing two shows in repertory (rotation on the same stage) which I believe the cool theater kids say casually that these shows are, "playing in rep." I saw the opening of The Bearded Company’s Swords & Sorcery improv on Friday and on Saturday caught the other show, Those Who Remain Turn the Pages by Del Mar. This 110 minutes performance is a horror story where survivors face zombies, vampires, and their own humanity inside a collapsing world. There is an audience interaction element to the show and the ending of the show hinges on the results of an audience vote that happens during intermission. It is an intriguing idea and it gets the audience more engaged with the performance! This production felt eerily relevant to modern news and I found the relatable vibe to add to the uneasiness of a zombie story.

Here is my favorite part: Those Who Remain Turn the Pages features teen artists! This is a co-production, and in fact the third co-production with the Theatre in the Round and FAIR School for Arts, with students from FAIR making up the cast and a bunch of the crew and participating in set & costume building alongside Theatre in the Round staff and artists. I love seeing storytelling from young people, in fact my first arts marketing job was at SteppingStone Theatre in Saint Paul. I especially appreciated that Theatre in the Round provided this opportunity as a solution to FAIR school having to pivot away from producing a fall show due to "tight budgets." Not only do the student cast and crew get the chance to work with the talented artists at Theatre in the Round (like director Gretchen Weinrich and set designer Madeline Achen) they get the excitement of staging a production on a beloved Twin Cities arena (audience on all sides) stage as part of the Theatre in the Round season which is open to the public.

TRP Executive Director Larisa Netterlund's program note she adds, "For our patrons, our hope is that watching this next generation of artists will make you feel inspired, invigorated, and hopeful about the future of theater." I was definitely moved by this collaboration and I was also certain that young Kendra would have loved to participate in a spooky fall theater show. It was great to be in the theater cheering on this teen-focused live performance art.

It takes a lot of bravery to get on stage, as I was reminded when I took the stage in the Minnesota Fringe Festival this year after many years away from the spotlight. I encourage each of these young artists to keep being involved in the local arts community. It's great to see confidence, experimentation, and growth happening before your eyes! I'm so glad I made it to this production.

If you want a pre-show alcoholic beverage, please note that TRP is not selling these 21+ beverages for Those Who Remain Turn the Pages due to the teens involvement, so I recommend patronizing Red Sea, Town Hall Brewery or a another neighborhood business.

Program picture! I believe this is a mandatory requirement as a Twin Cities Theater Blogger.

I hope you are planning some winter art adventures! Make sure to invite your friends and family to some community art performances. Did you know the average Minnesotan attends arts and culture events four times per year according to the 2019 Creative MN report? Extending a personal invitation to an arts event is a really important way to stay in connection with our loved ones and make our creative spaces more inclusive.

And if you are of voting age, Minnesota election day is November 4 so please vote! You can be involved in arts advocacy all year round, learn more at Minnesota Citizens for the Arts.

Artfully,

Tickets & Show Info: Those Who Remain Turn The Pages

Dates:
11/1/25 @ 7:30 pm
11/2/25 @ 2:00 pm
11/7/25 @ 7:30 pm
11/8/25 @ 7:30 pm
11/9/25 @ 2pm

Recommended Ages:
Best for ages 12 and up. The show utilizes water-based theatrical haze and contains stylized violence and scary moments.

Tickets & More Info

Read the Artfully Engaging Post:
The Bearded Company’s Swords & Sorcery

The Bearded Company’s Swords & Sorcery: An Improv Adventure Awaits

Sat, 01 Nov 2025 13:25:07 GMT

"Swords and Sorcery" plays at Theatre in the Round until 11/6/25 and then returns again in May of 2026.

Happy autumn, arts friends!

Last night was Halloween (and a Friday) and I had the pleasure of attending fantasy themed improv! What a wonderful way to celebrate spooky season with friends and our great local arts community.

And then today November rolled in and I am grieving for the loss of HUGE Theater (our local improvisation theater closed) as I lined up my Give to the Max donations, since I have donated to HUGE annually at this time of year. But in the midst of that sadness I realized that in the past year some of my partner and my most amazing joys and arts adventures have been from following our favorite improv groups to new physical theaters where they are performing. It's great to explore the Twin Cities and be improv groupies.

One of our absolutely favorite groups is The Bearded Company. Along with The Shrieking Harpies, The Bearded Company are my recommendation to introduce Minneapolis improv newbies to the the fun and playfulness of attending improv. And last night we saw The Bearded Company’s Swords & Sorcery at Theatre in the Round. What a truly magical way to enjoy some laughs and kick off a weekend!

The one hour show we saw was made up on the spot with the help from a 20-sided die. Nerd stuff, yay! The story revolved around a chaotic good baker, Doug Ocar (Owner and director at ComedySportz Twin Cities) who was put in the king's dungeon and then forced to transform and feed people from the kingdom to the king. There was romance, heroic adventure, and lots of belly laughs. I honestly wish I could see all four performances (the full continuation of the story because each show is different.)

I recommend catching this show! It's playing in repertory (rotation) on the same stage with another show, Those Who Remain Turn the Pages which I'm catching tonight. Also mark your calendar for May, because The Bearded Company is returning to Theatre in the Round to run in rep with The Hobbit. Yay, MORE nerd stuff!!! I definitely recommend attending Swords & Sorcery.

Keep supporting local artists. Bring your friends and family to the theater. Make art and get creative. Get out from behind your screens and have some adventures in your community. Donate to a local nonprofit. Let's build the future we need.

Artfully,

More Information

The Bearded Company’s Swords & Sorcery
Presented by: Theatre in the Round

Campaign #1: October 31 – November 7
Running in repertory with Those Who Remain Turn the Pages

10/31/25 @ 7:30 pm
11/1/25 @ 2 pm (PG rating)
11/2/25 @ 7:30 pm
11/6/25 @ 7:30 pm

Campaign #2: May 13–17
Running in repertory with The Hobbit

Sharpen your sword and prepare for adventure! Swords & Sorcery is an improvised fantasy campaign where fate is decided by the roll of a 20-sided die. Each show features a new epic tale filled with legendary heroes, dungeons, dragons, and laughter—perfect for fantasy fans and newcomers alike.

Tickets & Show Info

Your Support Is NEeded Right Now...

In Minnesota it's Give to the Max season - a time of generosity and support of local nonprofits. Please consider a gift to your favorite arts group. It's a really challenging time to get grants and also sponsorships from businesses, so individual support is very important right now.

May I suggest a donation to the Minnesota Fringe Festival? Springboard for the Arts? Theatre in the Round? Or search for your favorite at GiveMN. A donation of any amount helps.

If you can't donate right now, understandable, please help spread the word by talking about your favorite arts groups, resharing Give to the Max posts on social media, inviting folks to attend the arts with you and shouting loudly your advocacy for the arts.

“We Have to Do Something”: Q&A with Sandy Boren-Barrett about "ENOUGH" Event at Stages Theatre Company

Thu, 02 Oct 2025 22:11:14 GMT

Hello, Artfully Engaging readers and arts supporters.

My life has been forever altered by an act of mass violence and I know that I am not alone.

If you live in the United States, you likely have also been impacted by mass violence or shootings or know someone who has. Artfully Engaging is usually a blog where I celebrate engaging in creativity in the Twin Cities...so why am I writing to you today about such a serious topic?

What we see on stage is never separate from the world outside. Art helps us process, question, and imagine new possibilities. Since so many of us are currently grappling with tragic events related to gun violence, it makes sense that we would see that reflected in the art around us.

In 2015, I performed in the chorus of the Guthrie Theater's The Events which was a play that explored a fictional mass shooting event. It was a cathartic production to be involved with but I'm angry and heartbroken that a decade later the play is still as relevant as when it was written.

Which is why I am asking you to get involved. Please join the community in taking action so that in ten years we can look back and say that we acted with compassion and urgency, and that we did make a difference in reducing gun violence.

Artfully,

Artist Interview: Sandy Boren-Barrett, Artistic Director of Stages Theatre Company

I receive a lot of press releases from a lot of worthy events happening around town, but as soon as I read the press release from Stages Theatre Company I knew that I needed to help tell our community about an important event happening soon at Stages Theatre Company in Hopkins.

On Monday, October 6, they are presenting *ENOUGH: Plays to End Gun Violence, a national project that amplifies teen voices through bold 10-minute plays. These plays are written by young people who are courageously sharing their lived experiences and perspectives through theater

Tickets to the Stages Theater Company event are free but must be reserved in advance, so I encourage you to reserve yours now and and be part of this important community gathering.

*This is a nation wide event and there are other events happening in Minnesota on the same night, including at the Landmark Center in St. Paul. All events.

Info: ENOUGH! Plays to End Gun Violence

ENOUGH!
Plays to End Gun Violence
6:30 PM – 8:30 PM on Monday, October 6, 2025
Stages Theatre Company
Mainstage Theatre @ Hopkins Center for the Arts
1111 Mainstreet
Hopkins, MN 55343

Age recommendation:
High School Aged Students & Adults

For Twin Cities audiences, attending Monday's event is a meaningful opportunity to support youth artists, engage in community dialogue, and experience the power of art as resistance.

In my following interview with Sandy Boren-Barrett, Artistic Director of Stages Theatre Company, she shares why ENOUGH feels urgent in this moment, what audiences can expect, and how she hopes the evening will inspire change.

"My hope is that this work becomes a catalyst—not just for reflection, but for action."

~Sandy Boren-Barrett

It's clear why this is relevant now. What was the catalyst for Stages Theater Company to use your platform to stage this for our community at this time?

Sandy: ENOUGH: Plays to End Gun Violence is now in its fourth year of producing powerful 10-minute plays written by teens—many of whom have witnessed or personally experienced gun violence. This is not a new issue, and unfortunately, it is not improving. In fact, it’s getting worse.

I first heard about the national ENOUGH project this summer, in the wake of the heartbreaking deaths of Mark and Melissa Hortman. I had the honor of hearing Speaker Melissa Hortman speak at Minnesota Arts Advocacy Day at the Capitol last winter, and was deeply moved by her commitment to the arts. Bringing ENOUGH to our community felt like a meaningful way to honor her advocacy, bring people together who are ready to push for change, and - most importantly - amplify the voices of teens in our community and beyond.

What kind of conversations and impact are you hoping for this to have on the involved artists and audiences?

Sandy: Art is a powerful form of resistance. It helps us process pain, challenge injustice, and imagine a better path forward. Our hope is that these plays will ignite critical conversations and inspire real, lasting change in communities across the country.

Teens are asking hard questions - how do we avoid becoming another statistic? How do we make our voices heard? With these plays, they are standing up and saying, ENOUGH.

My hope is that this work becomes a catalyst—not just for reflection, but for action.

Is there a quote or moment in putting this together that stands out?

Sandy: In Holding Space by Abby Dougherty, one of the characters, Katherine, says:
“I smile at everyone in the hall - people I know, people I don’t, even people I don’t like -because I don’t know which one of them might bring a gun to school tomorrow. And I don’t want to die because I didn’t play nice.”

That line hit me hard. I couldn’t stop thinking about my own kids and the teens I work with every day. It shook me, and I knew I couldn’t look away or stay silent.

We have to do something.

What didn't I ask that you want people to know about?

Sandy: I want people to show up. To come to Stages Theatre Company on October 6 and be part of this community. I want them to sit in the discomfort that teens live with every single day at school.
I want them to see that it doesn’t have to be this way. To imagine something better. To believe they can be part of making that change.

And most of all, I want them to leave inspired to act—because that’s how we’ll know we’ve made an impact. When audience members walk out and say, ENOUGH.

Sandy Boren-Barrett has been shaping Stages Theatre Company for more than three decades, directing over 75 productions, championing new work and representation on stage, and helping bring nationally recognized honors to this Twin Cities company dedicated to young audiences.

Nearly 3,000 artists in more than 150 communities have participated across the three previous ENOUGH Nationwide Readings. The Atlanta flagship anchors ENOUGH!’s Nationwide Reading on October 6, 2025, a coast-to-coast series of readings staged on the same evening in 31 states and 70 communities, including sites as far flung as the U.S. Virgin Islands and a U.S. military school in Germany. Participating organizations range from professional theaters to high schools, universities, faith-based groups, and gun violence prevention organizations, in both rural and urban communities. Each organization pairs its performance with a community engagement component that addresses the realities of gun violence specific to their area, ensuring the plays spark dialogue and action at a local level. Confirmed venues are listed at enoughplays.com/reading.

“It’s a Love Story, First and Foremost”: Artist Q&A with Kelsey Angel Baehrens of Mu's "Stop Kiss"

Wed, 11 Jun 2025 22:29:30 GMT

Emjoy Gavino (as Callie) & Kelsey Angel Baehrens (as Sara) in Theater Mu's "Stop Kiss" at Gremlin Theatre in St. Paul, Minnesota. Photo Credit: Rich Ryan.

Happy June, Artfully Engaging readers!

This month is the 10th anniversary of Artfully Engaging! It's been one decade of uplifting the voices of Twin Cities' creatives.

Thank you to the artists who have collaborated on blog posts and videos! Thank you to the audiences who have read Artfully Engagement content, those who have shared it, and those who have seen it and taken the leap to experience local art in person! Thank you, thank you, thank you. <3

We are celebrating the 10th year of Artfully Engaging with an artist Q&A with Theater Mu artist Kelsey Angel Baehrens!

June is also Pride! It's an important time (as always) to celebrate and support our LBGTQIA+ community. If you are looking for a way to engage in community events related to Pride, look no further than Theater Mu's upcoming show, Stop Kiss which runs June 12-29, 2025 at Gremlin Theatre (nearby Lake Monster Brewing) in Saint Paul!

First off, if you didn't know, Theater Mu is the largest Asian American theater company in the Midwest and has received national attention for its artistic excellence and community engagement. I love attending Theater Mu (formerly Mu Performing Arts) theatrical performances and I'm really excited to attend opening night of this Obie- and GLAAD Media Award-winning play this weekend!

Stop Kiss is written by Brooklyn playwright Diana Son and directed by Katie Bradley, a familiar artist in the Twin Cities theater scene. Stop Kiss is a tender, time-jumping play about two women whose friendship unexpectedly turns into something more—until one life-changing kiss brings both joy and heartbreak. It’s a love story set in 1990s New York that explores identity, connection, and how one moment can shift everything.

Stop Kiss artist Kelsey Angel Baehrens took some time, during tech week (thank you, Kelsey!), for an Artfully Engaging artist Q&A. Enjoy the interview and then make sure to share this post and invite your friends to join you at the show!

Artfully,

Artist Interview with Kelsey Angel Baehrens

In this Artfully Engaging interview Kelsey Angel Baehrens (she/her) opens up about stepping into the raw, emotional role of Sara in Stop Kiss—from '90s nostalgia to the deep honesty this love story invites.

Kelsey is back at Mu after having a "life-changing" experience as Jenée in last year's Blended 和 (Harmony) about the true story of the Kim Loo Sisters. She just wrapped East West Players’ production of Cambodian Rock Band as Neary/Sothea.

Mu Theater's "Blended 和 (Harmony)"about the true story of the Kim Loo Sisters

Kelsey, what is your role in Stop Kiss?

Kelsey: I play Sara in Stop Kiss, a St. Louis girl who finds love, purpose, and struggle in the Big Apple! Classic. But also very not. You'll have to see.

What’s been your favorite part of this collaboration so far?

Kelsey: Definitely the commitment to excellence that I've witnessed in my cast mates, crew, and creative team. Everyone involved in this show gives it their all, wanting to do right by the story and their characters. It's an inspiring explosion of talent in our rehearsal room.

I also find this text challenging to act. Not because it's hard to access but because it is so vulnerable and real. There's nowhere to hide when you're on stage with Diana Son's play. You have to ride the rollercoaster and be present.

Why do you recommend seeing Stop Kiss?

Kelsey Angel Baehrens. Photo credit: Jackie Abbot

Kelsey: Whether you're familiar with this American theater classic or hearing about it for the first time, I think there's a gorgeous relatability in this play for everyone. It's a love story first and foremost--both devastating and hysterical--but it'll sneak into your brain and make you question the labels that you apply to yourself and to others. OH and BONUS, it's a throwback to the '90s!!

Despite the play's bittersweetness, I hope the play offers our audiences the same hope it gives me. It's a beacon in the chaos and a reminder that love heals and inspires change.

What did you want me to ask -- but I didn’t?

Kelsey: I'd love to share the fun fact that our cast has been bonding over a '90s music playlist we've been building together. It's HOURS LONG and AMAZING.

Stop Kiss Ticket & Show Information:

Dates: June 12-29, 2025
Location: Gremlin Theatre
Ticket Prices: $10 - $45

Special performances throughout the show’s run will feature open captions, ASL interpretations, audio description, and mask requirements in order to increase accessibility. All shows will have available sensory kits and large-print playbills.

Content note: Stop Kiss explores themes of anti-LGBTQ+ violence. The play includes graphic description of a hate crime, which is not depicted on stage; adult language and situations; homophobia and homophobic slurs; sexism; and onstage costume changes.

BUY TICKETS

Free parking is available in the large lot on Wabash Avenue near the water tower. There are additional lots around the building on the west side, street parking on Wabash, and another parking lot on the north side of Wabash. The venue is wheelchair accessible.

“It's about how love changes you and you change for love.”
~ Diana Son, "Stop Kiss" Playwright

Gremlin Theater
550 Vandalia St.
#177, Saint Paul

Cast and Crew

Playwright - Diana Son
Director & Producer - Katie Bradley
Associate Director - Emma Y. Lai
Stage Manager - Jessica Goldade Swanson
Assistant Stage Manager - Elijah Virgil Hughes
Production Manager - Rachael Rhoades
Scenic Designer - Erik Paulson
Sound Designer - Katharine Horowitz
Lighting Designer - Karin Olson
Properties Designer - Abbee Warmboe
Costume Designer - Khamphian Vang
Technical Co-Director - Austin Stiers & Erin Carroll Gustafson
Intimacy Director - Suzy Messerole

Emjoy Gavino - Callie
Kelsey Angel Baehrens - Sara
Lily Tung Crystal - Mrs. Winsley, Nurse
Moses Ekel - Peter/acting fellow, George u/s
Clay Man Soo - George
James Rodriguez - Detective Cole, Peter u/s
Michelle de Joya - Callie u/s
Jenny Tam - Sara u/s
Sydney Lin - Mrs. Winsley u/s, Nurse u/s
Keivin Vang - Detective Cole u/s

"Stop Kiss" promo art by Aleksandra Gurneau/KNOCK, inc.

"In a recent data report of hate crimes tracked by the FBI, it showed an 18.1% increase of hate crimes against people due to their sexual orientation and a 4.3% increase based on gender identity from 2022 to 2023.

Theater Mu believes that by sharing our stories on stage we share the humanity that makes up the fabric of our community.”

~ Anh Thu T. Pham, "Stop Kiss" Director and Mu co-leader

Like this? Read More:

2023 Artfully Engaging Interview:
Artist Interview with Dexieng Yang of "Again" a Hmong American Musical Premiering with Mu Theater

"In terms of costuming, I’m thinking about memories and the fluidity of memories, and how it could change.”
~ Khamphian Vang, "Stop Kiss" Costume Designer

Meet Stop Kiss designer Khamphian Vang: a Q&A by the Hmong Times

"The Barber of Seville" Closes Minnesota Opera’s Season with Laughter and Style!

Mon, 31 Mar 2025 22:50:35 GMT

John Mburu and Lunga Eric Hallam (and chorus) in MN Opera’s production of "The Barber of Seville." Photo credit: Cory Weaver

Recently, one of my friends said to me, "I've never been to an opera."

I said, "Let's change that." And we did! We got dressed up (optional!) and made our way to the Minnesota Opera's The Barber of Seville, which will be onstage at the Ordway from May 3-18, 2025. If you don't have a lot of opera experience or know someone who could use a friendly introduction to the art form, this production is the perfect way to dive in!

The Barber of Seville, at the Ordway Music theater in Saint Paul, is packed with comedy, colorful characters, and music you’ll recognize even if you’ve never seen an opera before. The story is easy to follow (with English super titles projected above the stage), the energy is infectious, and the performances are both playful and impressive. It's approachable for newcomers while still delighting longtime opera fans. I've seen this opera at least once before and this production is one I won't forget.

I have a lot of favorites from this experience, but I want to point out the scenery, the costumes, the beautiful music and the comedic physical acting of Don Basilio (played by Stefan Egerstrom when I saw the show) as especially delightful.

Just a reminder that my blog posts are reflective of my experience! I'm not paid to review shows, but I do (like in this instance) receive free tickets. Please check out my colleague Rob's experience here at the Stages of Minnesota blog: The Barber of Seville is a Comedic Delight at the Minnesota Opera:

Read Rob's Blog Post

"The challenge for the singers in our production is to combine these corporeally specific Commedia-based performance skills with the equally demanding vocal techniques of Opera, finding the proper balance."

~ CHUCK HUDSON, STAGE DIRECTOR

Stefan Egerstrom in MN Opera’s production of "The Barber of Seville." Photo credit: Cory Weaver

ticket Information: "THE BARBER OF SEVILLE" though 5/18/25

Approximate Run Time:
2 hours and 47 minutes with 1 intermission

Sung in Italian with English captions projected above the stage.

Creative Team
Principal Conductor – Christopher Franklin
Director – Chuck Hudson
Scenic Designer – Allen Moyer
Costume Designer – Mathew LeFebvre
Lighting Designer – Eric Watkins
Hair and Makeup Designer – Emma Gustafson
Intimacy Director – Doug Scholz-Carlson
Assistant Stage Director – Margaret Jumonville

Ordway Music Theater
345 Washington St
St Paul, MN 55102

Cast
Rosina – Katherine Beck (May 3, 8, 11, 17)
Rosina – Kara Morgan (May 4, 10, 18)*
Count Almaviva – Lunga Eric Hallam (May 3, 8, 11, 17)
Count Almaviva – David Walton (May 4, 10, 18)˚
Figaro – Takaoki Onishi (May 3, 8, 11, 17)
Figaro – David Wolfe (May 4, 10, 18)*
Doctor Bartolo – Matthew Anchel (May 3, 8, 11, 17)
Doctor Bartolo – Andrew Wilkowske (May 4, 10, 18)˚
Don Basilio – Stefan Egerstrom
Berta – Katherine Henly
Fiorello – John Mburu*

More Info & Tickets

Please support artists and arts organizations with your attendance and your donations. This is an important time to come together as a community.

Satire, Song, and Silly Romance: Gilbert & Sullivan’s "Patience" at Howard Conn Theater

Sat, 22 Mar 2025 15:41:38 GMT

The Gilbert and Sullivan opera "Patience" plays in Minneapolis until April 6, 2025. Photo Credit: Stephen Hage

If you enjoy witty satire, catchy music, and light-hearted fun, Patience by The Gilbert & Sullivan Very Light Opera Company is well worth seeing! This charming operetta is playing at the Howard Conn Theater in Minneapolis from March 14 to April 6, 2025, and it offers a delightful mix of humor, romance, and musical numbers that had me smiling from start to finish. Truly, for me, it was a welcome getaway to sit back and enjoy the sights and sounds of a show that was put on with a lot of care and passion.

I want to mention that I saw a performance with (planned) understudies that included Laura Levoir as Patience and Kelly Danger as Lady Ella. They were wonderful. I'm so grateful for understudies as I know that this is a high-energy show with a big cast and the flexibility of having more than one person know a leading role means that, as an audience, I have more opportunities to experience a show. I wouldn't have even known these weren't the regular cast if I hadn't been told!

"Good music, performed well, is timeless."

Check out the 2023 Artfully Engaging Artist Interview with The Gilbert & Sullivan Very Light Opera Company's Gary Briggle, Dr. Randal Buikema, and Stephen Hage.

So, if you aren't familiar with this show yet, it is set during the aesthetic craze of the late 1800s, which I was not familiar with by name. Although, I am familiar with Oscar Wilde. (who, according to the program, was a fan of this show!) Patience hilariously pokes fun at trends and fads. It follows two rival poets, Reginald Bunthorne and Archibald Grosvenor, who are adored by a chorus of swooning young women obsessed with all things “aesthetic.” Both poets, however, have their sights set on Patience, a sweet, no-nonsense milkmaid. Meanwhile, the chorus of women have abandoned their military suitors and the men's chorus then try to win them back by adopting the poets’ over-the-top aesthetic style—leading to plenty of ridiculous moments.

As someone who grew up singing in choirs, I especially loved the gorgeous harmonies and lively musical numbers. The cast’s vocal performances were top-notch, with beautifully blended ensemble singing and standout solos. The live orchestra did a tremendous job and it really added to the full opera experience.

The bright, Victorian-era costumes and the playful garden set design added to the fun, while the satire still feels surprisingly relevant. The show pokes fun at the way society latches onto trends—something we can definitely still relate to today! One of my favorite moments was a garden fountain that, when an actor manually cranked it, created the illusion of water flowing—a charming and whimsical touch that made me giggle at the cleverness. There was a lot of giggling during this performance!

If you love Gilbert & Sullivan’s sharp wit and catchy music or you’re just looking for a fun night or afternoon out, this production is a treat. With its satire, silly romance, and memorable tunes, Patience offers plenty of laughs, great music, and a little Victorian flair. It’s light, delightful, and a perfect way to experience live theater!

Artfully,

Ticket Information

Adults: $30.00
Children (under 12): $15.00
Rush Tickets:
Available for $15 at each performance on a first-come, first-served basis if tickets are available ten minutes before the show.

Except for preview, all tickets are assigned seating.

Remaining Performances:

March 28 – 7:30 pm
March 29 – 2:00 pm
March 29 – 7:30 pm
March 30 – 2:00 pm

April 4 – 7:30 pm
April 5 – 7:30 pm (Live-streamed)
April 6 – 2:00 pm

1900 Nicollet Avenue South

The Conn Theater shares a parking lot with Plymouth Congregational Church and there is free parking for all GSVLOC shows.
On the bus line!

More Information

Please note that The Gilbert & Sullivan Very Light Opera Company provided me with two theater tickets to this event. I want to keep things transparent! If you want to become a Twin Cities Theater Blogger and help Minnesota arts organizations share their important work with more people, reach out to the group on Facebook.

Artfully Engaging Bonus Recommendation:

Spellbound Phoenix Theater in Uptown
Threshold Theater presents the world premiere of Spellbound a new play about the wrong way to use a love potion, by award-winning queer Minneapolis playwright Matthew A. Everett.

"Life of Pi" at the Orpheum is a Gripping Theatrical Experience

Fri, 07 Mar 2025 23:32:33 GMT

Taha Mandviwala as 'Pi' and puppeteers Anna Leigh Gortner, Shiloh Goodin and Toussaint Jeanlouis as 'Richard Parker' in the National Tour of "Life of Pi." Photo by Evan Zimmerman for MurphyMade 2024

"The most dangerous animal in a zoo is Man." ~Life of Pi

Life of Pi (the three time Tony Award® winning production) at the Orpheum Theatre in Minneapolis is a mesmerizing theatrical experience that pulls you right into Pi’s incredible story of survival. Having never read the book or seen the film, I was completely captivated as the story unfolded through stunning puppetry, evocative lighting, and immersive scenery. There are six puppeteers in the show. Pretty much every actor in the show does some kind of puppetry

The play follows sixteen-year-old Pi as he recounts his harrowing journey after a shipwreck leaves him stranded on a lifeboat with a hyena, a zebra, an orangutan, and a Bengal tiger—brought to life by masterful puppeteers. Set within a hospital room with flashbacks to his family’s ill-fated voyage, the show explores resilience, the complexities of belief, and the raw realities of survival with nuance and depth. The ending took me by surprise, and I was deeply engaged from start to finish. If you’re looking for a theater experience that’s both visually stunning and thought-provoking, this is one to see!

"The most important thing to remember is that the audience needs to believe the puppet is alive. If that doesn’t happen, everything else is lost.

Puppets appeal to the audience’s sense of play, and there is a silent contract between the audience and the puppeteers to suspend all disbelief.

It’s the same as two children agreeing to play with a toy. There’s an unspoken agreement that the object is alive."

~Finn Caldwell (Puppet & Movement Director and Puppet Designer)

My one recommendation would be to purchase theater seats as close (as possible) to the center of the theater for this show as I was seated house left and some of the projected words and even the actors were out of my site line. I thought it was nice that the theater patrons near me started whispering the projected text down the rows so the people further to the side could still participate.

I was supposed to attend a media event this week to meet the tiger....but the snow storm ruined the fun. That's life in Minnesota for ya. Life of Pi at the Orpheum Theatre runs now through March 9, 2025.

Artfully,

Tickets and Info

Please note that Hennepin Arts provided me with two theater tickets to this event. I want to keep things transparent! If you want to become a Twin Cities Theater Blogger and help Minnesota arts organizations share their important work with more people, reach out to the group on Facebook.

Buy me a coffee or help fund my next creative project (more info soon!): Kendra's Tip Jar
Also, check out another recent review:
THEATRE IN THE ROUND's "LEGACY OF LIGHT" BY KAREN ZACARÍAS
Stay tuned for an upcoming Artfully Engaging blog post about the annual performance of The Gilbert & Sullivan Very Light Opera Company in March

THEATRE IN THE ROUND's "LEGACY OF LIGHT" BY KAREN ZACARÍAS

Fri, 21 Feb 2025 02:28:50 GMT

"Legacy of Light" runs through March 16, 2025 at Theatre in the Round Players in Minneapolis. Photo Credit: Aaron Mark Photo Film

This winter I was very excited to hear that Theatre in the Round Player's (TRP) was staging Legacy of Light by Karen Zacarías (author of The Book Club Play, Native Gardens, and Destiny of Desire). And I was even more excited because after seeing their 2024 performance of Silent Sky by Lauren Gunderson, I was hoping for more historical women and STEM on their arena stage!

Check Out the 2023 Artfully Engaging Blog Post of another Karen Zacarías play:
Artist Q&A with Actor Eni Ogundipe of "The Book Club Play" at Theatre in the Round

I attended the opening night performance of Legacy of Light, directed by Kari Steinbach, and I had a great time. Theatre in the Round Players is the longest-running community theatre in the Twin Cities, located in the Seven Corners neighborhood in Minneapolis. I find the shows to be high-quality and thoughtfully produced, and this show was no different.

The story alternates between two timelines, both centering around an accomplished scientists trying to manage their dedication to their work and to their families. Or as the title of the play phrases it, their "legacies." In many ways this six-member cast performed deftly, weaving in and out of time and place, as an effective ensemble. However my favorite parts of the play revolved around the character Émilie du Châtelet, a mathematician and scientist in 18th century France, played by Rachel Postle. Other stand out performances by David Denniger as Voltaire and Emma Tonn as Millie/Pauline.

I don't want to say too much about the story as it shifts and builds in the first act and really comes together for a satisfying act two. The script brings both humor and intellectually intriguing ideas to some very relatable characters - much like The Book Club Play. Also, I appreciate this performance calling out the dire need for maternal health advancements and access to reproductive healthcare.

Overall, it was a great night at the theater. My theater partner was, "pleasantly surprised" with their first ever Theatre in the Round production. And shout out to the lighting in the show! There is some beautiful light work incorporating the scientific themes and that was a joy to watch.

I recommend you add this show to your calendar. Invite a friend! Make a night (or afternoon) of your art adventure.

Local theater is so important right now. Support artists! Support community events! Your participation is needed and I truly believe that participating in live art makes you feel connected and a part of something big and important. Our stories. Our legacies?

Artfully,

Photo Credit: Aaron Mark Photo Film

"['Legacy of Light'] explores weighty themes and ideas of the heart and mind—and does it with humor, intricacies, and theatricality"

~Director Kari Steinbach

Ticket Information - Legacy of Light

Legacy of Light
Written by Karen Zacarias

Dates: February 21 to March 16, 2025
Fridays & Saturdays at 7:30pm | Sundays at 2:00pm

Tickets: $20-29

Audio-Described performance: Sunday, March 16
Assisted listening and individual captioning devices are available for check-out.

Content Warning: Flashing lights. Sexual Situations and adult themes. Best for ages 14+

Get Tickets

Theatre in the Round Players
245 Cedar Avenue
Minneapolis MN 55454

Disclosure: I received complimentary press tickets to attend this show. I want to keep things transparent! If you want to become a Twin Cities Theater Blogger, reach out to the group on Facebook.

Inside the Musical Comedy of "Leave Room for Jesus" - Artist Q&A with Hannah Wydeven

Sun, 02 Feb 2025 23:32:09 GMT

Hannah Wydeven Presents: Leave Room for Jesus on Thursday, February 13, 2025 at Strike Theater in Minneapolis.

I'm a big fan of improvised musical comedy. So when I received an email from one of my very favorite Twin Cities improv groups, the Shrieking Harpies, about an upcoming show Leave Room for Jesus featuring the group's Hannah Wydeven and Lizzie Gardner, I was intrigued! I reached out and Hannah was kind enough to agree to chat with Artfully Engaging readers about her upcoming show, how the show came about, and why comedy is important in our current political climate.

Thanks to Hannah Wydeven for taking the time to share this behind-the-scenes information. Enjoy Hannah's interview, get your tickets to the show, and since social media is a bit...complicated right now, please consider signing-up for the Shrieking Harpies email list so you can get notified for upcoming shows.

Artfully,

Artist Interview with Hannah Wydeven

Hannah, tell us about Leave Room for Jesus!

Hannah: Leave Room for Jesus is a parody show really playing on evangelical ideals of chastity and purity, as well as the fame-mongering of both men and women in mega-churches. More than anything it’s super goofy and fun, and doesn’t take itself seriously in any way. The show is also musical and uses a lot of audience interaction, so it will feel very much like a sermon (gone awry).

How did this show come to be?

Hannah: Every year I do a one off musical show around Valentine’s Day weekend that explores some facet of love and lust. It’s an opportunity for me to bring in some really talented friends and play a character I want to explore. It’s also a chance for me to just let it rip and do somewhat offensive and intensely stupid improv for a night. There are so many really thoughtful and poignant and emotionally driven improv shows being done in the twin cities (that are incredible), and this just isn’t one of them. Every piece of it was designed to just make people laugh their asses off.

Make your own question (what do you want to share about this process? Or something fun?)

Hannah: This show started with my idea for the main character Marla Hope, and every additional character has been someone else being like “what if this character showed up.” I’m really excited to share what everyone else is bringing to the table.

Here are some photos of Lizzie, Hannah (and Taj!) doing their thing as the Shrieking Harpies:

In a time when so many people feel disconnected or overwhelmed by the political climate, art—especially comedy—can be a powerful way to bring people together. How has your work in comedy and improv helped you build community?

Hannah: Oh man this question is so spot on. Behind the scenes I try to always be inclusive when I teach and when I direct, or produce or even when I invite people to play with me. I’ve been particularly enmeshed in bringing more queer voices and women’s voices to the front in comedy and that’s really important to me. When I teach I always offer sliding scale or free spots in classes/ workshops so people can come without issue. I try to keep ticket prices low and pay the people that perform with me as much as I can.

Shows like this can really help people vent and get some shit off their chest, including me. I hope the audience walks away from this feeling like they got a chance to punch up in a really cathartic way.

What’s next for you after this production? Any upcoming projects or performances we should know about? (Also how to find out about future work)

Hannah: This will for sure be a one night only thing which is what makes it special for me, but I continue to produce solo work under Sad Songs for Happy People (see @funnyladypants on Instagram for more). I’m also doing shows with Mayhem (feat. Butch Roy) and Shrieking Harpies (feat. Taj Ruler, Lizzie Gardner and Justin Nellis). Follow @shriekingharpies for more there.

Ticket Info for Leave Room for Jesus

Join Marla Hope (Hannah Wydeven), the charismatic widow of the late Reverend Wyatt Hope (1956-2024), as she takes the stage for a one-of-a-kind musical performance. Marla draws from her time as a burgeoning country star, childhood tent revivalist and the longtime fourth wife of Reverend Hope to bring her vision to life.

With original songs like “Hands Off (and on the Bible)” and “No Touching Til Eternity”, Marla is here to remind us all: where there’s temptation, there’s always room for Jesus. Joined by The Altar Boys, Blue-turned-green comic Mickey Rust, Country piano Legend Willis Hayes, and a special guest... Jesus himself!

Featuring performances by: Nora Neisen, Lizzie Gardner, Carolyn Blomberg, Will Schroeder, Marty Wessels and Piano by Justin Nellis.

Buy Tickets

Date:
Thursday, February 13, 2025
7:30 - 8:30pm CST

Ticket Price:
$15.08 (with fees)

Venue:
Strike Theater
824 NE 18th Ave
Minneapolis, MN 55418

A Rare Holiday Treat: Limited Tickets Remain for Irving Berlin’s "White Christmas" at Chanhassen Dinner Theatres

Mon, 14 Oct 2024 23:44:23 GMT

"White Christmas" runs through January 25, 2025 at Chanhassen Dinner Theatres. Photo credit: Dan Norman.

I had a wonderful time at Irving Berlin's White Christmas at Chanhassen Dinner Theatres. It was the perfect mix of popular Irving Berlin music, lively dancing, and a great night out with dinner and drinks. The show featured “Blue Skies,” “Sisters,” and of course, “White Christmas.” The cast really brought the music to life, and the dancing was so fun to watch—it had the whole audience smiling, tapping their feet, and singing along!

The evening started with a yummy dinner, and with holiday themed drinks in hand, we settled in for a festive holiday show - in October! The cast, including Michael Gruber as Bob Wallace and Tony Vierling as Phil Davis, gave energetic performances that made the night very enjoyable. The dazzling choreography (Tamara Kangas Erickson) and the vibrant costumes (Rich Hamson) added an extra layer of excitement and joy to the entire musical - the dancing and costumes truly create a magic atmosphere in the musicals at Chanhassen Dinner Theatres!

But you can't have a musical without the music (music direction by Andy Kust), and while the entire cast delivered strong vocal performances, the women truly stood out with their energy and presence. Ann Michels as Betty Haynes, Andrea Mislan as Judy Haynes, and Michelle Barber as Martha Watson brought incredible vitality to the stage and really made the night for me! Performances in songs like "Sisters," "Love, You Didn't Do Right By Me," and "Let Me Sing and I'm Happy" were memorable highlights that left a lasting impression on the audience.

The costumes were vibrant, the choreography was upbeat, and the whole production was pure holiday magic. If you’re looking for a fun night out with great food, drinks, and a show that’ll get you into the holiday spirit, White Christmas is a must-see. Make sure to grab your tickets while they last!

Ticket Info

Please note that the best tickets are available in January. Seats are very limited in October, November & December. It's a hot ticket!

"There are a lot of veteran performers and designers who have worked on our play...We should all keep doing what we love for as long as we can, but when we can’t that’s o.k. too. Just count your blessings and you’ll be all right!"
~White Christmas The Musical Director, Michael Brindisi

Disclosure: I received complimentary press tickets, dinner, and drinks to attend Irving Berlin's White Christmas at Chanhassen Dinner Theatres. Just wanted to keep things transparent! If you want to become a Twin Cities Theater Blogger, reach out on Facebook.

Artfully Engaging - 2024 Fringe Faves!

Sat, 10 Aug 2024 17:19:04 GMT

We are ten days into the 2024 Minnesota Fringe Festival! It's not through and I'm still seeing shows and volunteering, but I wanted to stop and shot out some of my absolute favorite shows that I recommend. Catch them if you can for the remaining festival and make sure to follow these fantastic artists.

Blackout Improv Does Something!!!

By Rogues Gallery Arts
Created by Blackout Improv

@ HUGE Improv Theater in Uptown

Wow! I really enjoyed this show. It wasn't a surprise because Blackout Improv has had some great performances in the Twin Cities but this was maybe my favorite. It's improv so every performance is different but the performance I saw has a special guest: comedian and musician Devhon Bland. Lots of laughter during his set. I've seen him around town at standup performances but again, this was an especially great performance. My performance also had a bit with Destiny Davison a.k..a Dolly who did a very heartfelt and charming puppet improv with the rest of the cast. (Last year Dolly's show Dolly Who was my favorite Fringe show! Check out my shoutout last year.) And the show ended with a few rounds of the swag hat which was improv suggested by the audience, which after some conversation with the performers became some shenanigan inducing improv! Five Kitties! Ten Kitties! All the Kitties.

More about the show: Blackout Improv, Minnesota's premiere all Black performer improv group returns to the Fringe bringing guests and our renowned approach to comedy which mixes humor, and heart with a social Justice bent.

More Info

Daddy Issues

By Pretend Productions
Written by Allison Vincent
@ Phoenix Theater in Uptown

By far the most moving and absolutely impeccably crafted and performed piece I have seen this year at the Minnesota Fringe Festival. I sobbed through this performance but still felt uplifted and connected during Allison VIncent's engaging storytelling about her own experiences with caretaking for her father. Stunning.

More about the show: Daddy Issues is a solo show recounting Allison Vincent's caretaking for her father while also negotiating their complicated relationship and the demise of his memory and her childhood home.

More Info

TransMasculine Cabaret, Starring Vulva Va-Voom

By Vulva Va-Voom & Company
Created by Vulva Va-Voom
@ Mixed Blood Theater in Minneapolis

What's a Fringe festival without some song and dance? Especially when it's well performed and includes some meaningful stories that definitely made me tear up. Vulva covered important issues and entertained with song and dance. I couldn’t believe the show was ending at curtain call—the time flew by! I highly recommend this clever and well-performed cabaret.

More about the show: Hardships, meet hilarity. "TragiComic transgender-identifying true confessional" & "obscene, maniacal burlesque star" sound incompatible...but this gritty nightclub headliner combines stranger things onstage.

More Info

Holy O

By Lauren Hance of Out of Mind ProdcutionsDirected by Amelia Peterson & Cathy Lam-Patrie

Holy O is like the pick your own adventure of the Minnesota Fringe 2024. Artist Lauren Hance emerges from a pile on the floor where the stage (an Uptown coffee shop) is littered with clothes. Lauren's character Vera asks the audience (we were all wearing handmade gold pipe cleaner headpieces and playing saints!) to choose a piece of clothing and then we get to hear a story. The piece is a combination of the sacred and sensual. I loved it. Check out the Artfully Engaging artist interview with Lauren. Also whenever I think of this show I can't stop singing Madonna's "Like a Prayer." Coincidence?

More about the show: Vera is contemplating becoming a nun, but can’t let go of her vibrators. Step into the role of “saint,” and help Vera make the biggest decisions of her life, starting with what shirt to wear.

More Info

I've seen a lot of great shows this Fringe! I'm headed out the door for another full day of theater, dance, magic, improv, and music. Every show I attend I am in awe of the effort and bravery it takes for these artists to take the stage and make live art happen. Not every show hits perfectly every time for every audience member. That's okay! Every person has different preferences and is in the mood for different art at different times. Make sure to check out the Minnesota Fringe website to look for shows that interest you. The show pages also have audience reviews, so take a look!

Minnesota Fringe Artist Q&A: Lauren Hance of "Holy O" and "What the Fringe?!" Podcast Host

Sun, 04 Aug 2024 00:25:58 GMT

Lauren Hance in "Holy O" which plays through August 10, 2024 in Minneapolis. Photo Credit: Amelia Peterson

Hello, theater enthusiasts! I have the pleasure of introducing you to Lauren Hance. She's the writer and performer of Holy O, an independently produced show featured at the 2024 Minnesota Fringe Festival that combines spirituality, sexuality, and humor in a truly unique experience. Created by Lauren Hance, this one-woman production follows Vera, a lively woman torn between her desires and her spiritual journey as she contemplates becoming a nun. With the audience playing the role of “saints” offering advice, Holy O blends interactive theater with engaging storytelling. I caught this play on opening night and it made me laugh and cry and I recommend taking the time to attend this thoughtful production.

In this interview, we delve into the inspiration behind Holy O, the creative process of weaving real stories into the narrative, and how the show balances humor and depth when discussing complex topics. We also explore Lauren’s insights on participating in the Minnesota Fringe and her podcast, What the Fringe?!, which dives into the world of fringe theater.

Join us as we explore what makes Holy O a must-see show, captivating audiences across the United States with its honest and heartfelt portrayal of the sacred and the sensual.

Artfully,

Kendra

P.S. Check out my last blog post, Minnesota Fringe 2024: So It Begins, to learn more about the Minnesota Fringe and how to participate through August 11, 2024. Also please read more Fringe coverage by other Twin Cities Theater Bloggers: Cherry and the Spoon, The Stages of MN, and Single White Fringe Geek.

Artist Interview With Lauren Hance

What sparked the idea for Holy O?
A couple of things spurred the story of Holy O. I was dealing with my own issues of the disconnectedness between my body, spirit, and sexuality. I knew that to get to a healthier state I had to explore my issues and bring these parts of my life together in a more unifying way. Enter therapy, girlfriend talk, and art! As I began sharing my story with other women, they wanted to share their stories with me. I knew that I was on to something. Then, I made storytelling a part of the show. I interviewed dozens of women about their struggles with the same issues, then dramatized their stories and included them in Holy O.

I also learned about St. Theresa of Avila, the patron Saint of Spain, who had these bodily reactions during deep times of prayer. I found it very interesting and wanted to explore that more.

Lauren Hance. Credit: Adam Intriago

In the show, Vera is experiencing these rapturous prayers; I refer to them as "prayer-gasams," and she is trying to figure out what they mean and what God may be trying to tell her through them. It was a very cool element to add to the show that created all kinds of tension and interest.

Ticket Information for Holy O at Minnesota Fringe:

Holy O
Lauren Hance: Writer/Performer
Amelia Peterson: Developer/Director
Cathy Lam-Patrie: Co-Director

Remaining Performances:
Thursday, Aug 8 @ 7:00pm
Friday, Aug 9 @ 7:00pm
Saturday, Aug 10 @ 7:00pm

Ticket Info:

$20 plus Fringe Button
Limited discounted ticket passes may be available. Learn more about box office policies, access requests, and more.

Everyone attending the 2024 Minnesota Fringe Festival needs to purchase a $5 Festival button. This one-time purchase contributes to the cost of planning and running our annual celebration of the performing arts. Buttons can be purchased at any box office during the festival.

Get Tickets

Corner Coffee Uptown
1414 W 28th Street
Minneapolis, MN 55408

How do you strike a balance between humor and depth when discussing topics like sexuality in the show?

Lauren: I often take the mantra of make 'em laugh, make 'em cry. Laughter, in its best form, is incredibly unifying. When we laugh together, it is an auditory and physical sign that says, "Oh, you too!" Laughter bonds people together. When you laugh together, it opens the door for you to get a little deeper and maybe even cry together. Part of creating a safe space is bringing some laughter into the mix.

Additionally, from the opening of the show, I begin in a very vulnerable state. I take on the brunt of the jokes and the unease, which creates a space for others to feel safe going on the journey with me. Holy O is interactive, and to get people to participate, I have to be vulnerable myself. The show is carefully crafted that way on purpose.

When people feel safe, they can broach the more difficult subject matters. Holy O broaches some complicated subject matters such as assault, abuse, and suicide, and the stories are told in such a way that they begin with a more light-hearted stance. And the seriousness of the subject matters is never treated with judgment, but simply "this is how it is." It makes the difficult moments easier to get through. While the Holy O does not end with a tidy solution, it does point to hope, which helps audiences process the complex subjects they've just encountered.

Follow @theholyoplay on Instagram!

Describe your show in three words or less.

Lauren: Laugh. Cry. Orgasm?

Your podcast "What the Fringe?!" is about all things related to Fringe. What is Fringe to you and what makes you so passionate about this art?

Lauren: The people. I am a people person, and I love getting to know others, what sparks a fire in their souls, and what makes them laugh or cry. Through the podcast, I have been able to take a deeper look into each artist's creative journey, and every single time, I am blown away by their artistry, hard work, and dedication to their art. I honestly can't believe I get to "work alongside" these artists at festivals.

I started doing Fringe because I was tired of auditioning. Plus, I wanted to create a show that incorporated everything I love as a performer and a human. Fringe creates an easy way for artists to share their art. Now that I have been doing Fringe for several years, I am energized by the other artists and their work. I also have to mention the folks that run festivals, they are literally some of the best people on the planet. Every fringe staff I have worked with has been so kind and helpful.

All in all, I love fringers! They are what keeps me going in this business.

Why independently produce at the Minnesota Fringe?

Lauren: I had gone two years without my number being drawn, and when I realized I could independently produce, I thought I'd give it a try. A lot of elements had to fall into place. I needed a venue close to other fringe venues, support staff, and the price to be right. I got super lucky with Corner Coffee Uptown.

The Fringe staff has been incredible. They have treated me like a lottery participant and helped me with so many details. I also love the ability to choose my performance days and times and the opportunity to offer cash discounts at the door. It really helps with marketing and getting people in the door.

If others are thinking about Independent Producing a Minnesota Fringe, I highly recommend it. Make sure you secure a great venue, location and staff wise. And be ready to put in the work.

One of my favorite parts of your podcast What the Fringe?! is how you are building community and creating conversation with fringe artists. You had a great discussion with other producers from the 2024 Fringe Festival Timothy Kelly from Melancholics Anonymous and Jake Mierva and Danylo Loutchko of an alleged Theatre Company on your recent podcasts. How do you think platforms like Minnesota Fringe support our arts communities and why are they so important?

Lauren: Interviewing these three artists was so eye-opening to the value of Fringe to local production companies. Participating in Fringe was the beginning of both of these companies, and without Fringe, these two companies may not be doing what they are doing now. Both Melancholics Anonymous and an Alleged Theater Company produce quirky shows. Fringe has given them a place to try out their ideas and see if people are into it - and they are! Fringe is such a low financial stake that companies can really get experimental to see what might work in their season lineup. Additionally, Fringe helps local artists, like these two companies, build an audience base, which in turn helps them build a stronger year-round company.

I am a touring artist, and when I first started doing Fringe, I was a little put off by some fringes allocating large percentages of the lineup to local talent and much smaller percentages to touring artists. After a few years of hitting the fringe circuit, I get it. Fringe can be a space for local artists to grow, discover who they are, and build a loyal following that will support them throughout the year. Plus, local artists draw crowds that will not only see their friends' shows but will then try out other shows at the Fringe.

The US fringe is unique in its emphasis on local artists. Fringes in Canada and Australia emphasize country artists and touring shows, while Edinburgh is all about bringing the world to the city. I cannot say if one system is better, but I celebrate what each type offers.

What do you love about Minnesota Fringe?

Lauren: Being a part of Minnesota Fringe has been an incredible experience, from the staff, to the local performers, to the audience that I am just now getting to meet. Being a solo-touring artist is very difficult, and the Minnesota Fringe staff and volunteers have made it so much easier. I love the online platform to promote shows and how invested the audience gets in the festival and their festival schedule. I give the festival "5 Kitties" and highly recommend it to any local or touring artists.

Lauren Hance is a playwright, producer, director, and actress. Lauren’s plays have been produced across the country, including Chicago, Minnesota, Texas, New York, New Orleans, and California. She has worked as a writer and director at Southern Rep Theatre in New Orleans in the 6x6 and 3x3 Playwriting programs. Lauren is a proud member of the Dramatist Guild of America and has been published through Mushroom Cloud Press. Lauren is the founder of Out of Mind Productions, a small production company with the mission to present stories that stir the heart, and served two years as the Director of Theatre & Theology at CITA. Lauren’s most recent project is the podcast What the Fringe?!, where each week, she sits down with a fringe artist to talk all things fringe theatre. Lauren holds a BFA in Directing from Abilene Christian University and a MAT in Arts and Theology from Fuller Theological Seminary. She resides in Houston with her husband and two daughters. www.LaurenHance.com

Minnesota Fringe 2024: So It Begins!

Fri, 02 Aug 2024 19:59:48 GMT

It's the first weekend of the 2024 Minnesota Fringe Festival, the Midwest's largest celebration of the performing arts! Over 500 performances are happening in Minneapolis through August 11, 2024. Though I'm a long-time fan of #MNFringe, this festival has been happening long before I came onto the theater scene (for 31 years!) and I want to thank everyone who helped build this amazing community arts festival into the dynamic experience that it has grown to become!

Did you know? The Minnesota Fringe Festival returns 70% of box office sales to participating producers, paying out over $2.5 Million to artists in the past decade.

Minnesota Fringe FAQs

Frequently Asked Questions and How to FringE!

There's a lot to love about the Fringe community, in Minnesota and around the world. The Minnesota Fringe offers an experimental platform for artists and an adventure for audiences - the festival features many different genres of theater including storytelling, comedy, drama, dance, horror, improv, puppetry, opera, and more. Fringe-managed theaters are conveniently grouped and easily accessed through public transportation and iIndependently produced shows take place in a variety of unique venues around Minneapolis.

It is very exciting, but there's more shows than I could ever see in 11 days and I guess...that's okay? I have perpetual Fringe FOMO (fear of missing out) so if you are seeing a show watch for me running around taking social media photos and booking it to my next venue!

I'm actually on the board of directors for the Minnesota Fringe Festival. I am serving my third year on the governance committee, where I work to keep the festival on track for future generations to explore adventurous art! Hit me up if you are interested in learning more about board service; I'm happy to talk with you about my experiences and what nonprofit board service has been like for someone who hasn't done anything like that before.

"The Minnesota Fringe Festival is a critical component of the bedrock of our performing arts community. We've seen many theater and dance organizations struggle since the pandemic and several close in just the past year. We're throwing the theater doors wide open for artists and audiences to celebrate the performing arts in a time when it has become increasingly difficult to find and fund this type of adventurous work."

~Minnesota Fringe Executive Director Dawn Bentley

I attended four shows at all four time-slots yesterday, volunteer ushered for the first time in a long time, and helped run the social media for the Twin Cities Theater Bloggers. A lot is happening and I want to take a moment to invite you to join in the fun and adventure! There are lots of ways to participate in the Minnesota Fringe but the best way is to experience it for yourself. Grab a friend and head to a theater. Check out minnesotafringe.org and reach out to the staff or volunteers if you have any questions! Hope to see you at the theater.

Artfully,

Kendra

Ticket Info for the 2024 Minnesota Fringe Festival:

Single show tickets are $20. More Ticket Information available on their site.
2024 Collectible Minnesota Fringe Festival Buttons are $5. Every attendee needs a button to enter.
The theater venues are in various Minneapolis neighborhoods. Minnesota Fringe has lots of venue Information, so I recommend taking a look to see theater near you.

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Inclusivity in Action: Interact Theater's "Hell is Empty and All the Devils are Here... Again!"

Wed, 15 Nov 2023 06:00:00 GMT

“This show will make you laugh and cry at the crazy times we are living in right now!”
~Director, Jeanne Calvit

Watch out Brave New Workshop! Interact Theater's Hell is Empty and All the Devils are Here... Again! is a vibrant musical satire, delivering both political and social comedy alongside fun original music. This collaborative production features an ensemble of actors, singers, and dancers (with and without disabilities), showcasing the power of diversity and community. I was impressed with the quality of this professional show: a live band, beautiful large projections, and great lighting and sound.

As someone impacted by chronic migraines, the show's disability-inclusive choices, including an 80-minute intermission-free show with ASL interpreters and comfortable seating, significantly enhanced the experience. These are just some of the thoughtful considerations that reflect Interact's commitment to creating a more inclusive environment for patrons. The pre-show light and noise warnings demonstrating their awareness of potential triggers and I felt at home in the audience.

Hell is Empty kicks off with the Devil, dissatisfied with the current state of affairs, returning to humanity to wreak havoc, navigating modern challenges from online manipulations to political figures and artificial intelligence. Through sketch comedy and song, Interact's actors provide a thought-provoking and giggle-inducing theatrical performance. Running through November 18th at the Luminary Arts Center in Minneapolis, Hell is Empty invites audiences to share in a communal laugh at the absurdities of contemporary life. Director Jeanne Calvit's belief in the inclusivity of art for everyone resonates powerfully in Hell is Empty and I recommend checking out an Interact performance.

Ticket Info: "Hell is Empty" though November 18, 2023

More information and Tickets

Ticket Prices (General Admission):
Disability: $8
General: $22

Remaining performances:
Saturday, November 16 at 7pm
Saturday, November 17 at 7pm
Saturday, November 18 at 1pm and 7pm

Luminary Arts Center
700 N 1st St
Minneapolis, MN 55401

Luminary Arts Center in Minneapolis is owned and operated by the Minnesota Opera.

Kendra Plant | ArtfullyEngaging - Blog: Artfully Engaging

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Ticket Info for Monsters, Not Monoliths: A DnD Actual Play, Live!

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Artist Interview with ​Kelsey Angel Baehrens

Stop Kiss Ticket & Show Information:

Gremlin Theater​550 Vandalia St.#177, Saint Paul

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Ticket Info: "Hell is Empty" though November 18, 2023

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550 Vandalia St.
#177, Saint Paul

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